Artworks

21.000 brings the layered workflow of Sodeoka’s digital production into physical space.

In this work, complex interactions emerge from the intersection of different artificial and natural media.

Beginning with the question: “How would scientific practice and the production of knowledge change if we assumed that plants are not mere specimens, but entities capable of knowing, acting, and constructing their own worlds?” Indexed Beings explores an alternative epistemology grounded in more-than-human intelligence.

Trust the Medicine is a participatory artwork and 360-degree film developed in collaboration with the design collective Metaobjects.

Autonomous Forest is a project situated at the intersection of legal design, technology, and artistic practice, seeking to shift the forest from a resource to be owned toward an entity capable of autonomous, community-driven governance.

Arborithms are a species of synthetic life form that exist entirely on the blockchain.

Latent Dispatch is a research project and interactive artwork that stages a conversation between machine precision and human imagination.

In Gretchen Andrew’s new series of Facetune Portraits, custom robotics scribe the popular AI-driven beauty filters of social media into oil paintings derived from images of quintessential beauty.

Qlimates is a video work in which both moving image and sound are processed through Libby Heaney’s bespoke non-binary quantum computing code.

Breathing Earth retrieves earthquake data observed daily around the world and visualizes each event—its epicenter and magnitude—as small protruding spheres on the surface of a white globe. The result is an animation in which the Earth appears to breathe and pulse as if it were alive. Technically, the project uses the latest seismic information published online by the International Data Centre (IDC), which aggregates data from a global seismograph network originally developed to detect nuclear tests. This data was automatically collected and updated each day, and the most recent two weeks were rendered into a continuously refreshed GIF animation. By connecting ecosystems that span different layers—nature (tectonic activity), technology (sensors and networks), and information (data visualization)—the work enables viewers to experience an “expanded ecology” in which the physical Earth and informational environments merge. In doing so, it invites the audience to sense themselves as part of this system, as if participating in the planet’s own neural circuitry. For this exhibition, the original GIF animations have been rediscovered and restored from the archive.

Night and Day gathers images from web cameras installed around the world continuously and arranges them in a circular sequence, allowing the boundary between day and night to drift slowly across the screen. Using live images captured by publicly accessible surveillance cameras and nature-observation cameras, the work quietly reveals planetary-scale temporal flow. Behind it lies a major technological shift: in the mid-1990s, only a handful of live cameras existed, but within a few years their numbers exploded. And just as the Cambridge University coffee-pot camera was accidentally shared with the world, the sudden ability to witness a distant “now” was a defining sensation of the early Internet. For this exhibition, a new set of currently available cameras has been collected, and Koichiro Eto’s original implementation has been updated and adapted. It now runs within an emulated environment capable of executing legacy Java applets.

Births, deaths, tectonic shifts, traffic flows, and weather patterns are constantly unfolding somewhere on the planet. While you were… links these planetary-scale processes to the time experienced by an individual, making perceptible the fact that “the world is always proceeding in parallel.”

Deborah Tchoudjinoff’s moving image installation work The City of Gold (with sound in collaboration with Joe Farley) and The City of Coal consider vast, more-than-human, geological timescales with continents once again becoming one.

dialog() 2025 generates artwork through daily dialogue via code. Daily conversation traces are visualized, making the creative process the artwork. By updating a single Shader code like a shared diary, we record the evolving trajectory.

Executed Poetry is a device that executes poetic code and displays its ephemeral traces.

The Miniscriber is a literary device for our digital age.
With a turn of a knob or a click of a button, users create their own unique output of generative literary art; reader-viewers become conceptual writer-artists, or word jockeys sampling, remixing, toggling, redacting, colouring, accentuating, shifting text to create new digital-conceptual-visual poems.

"PASSING" is a visual experimental work that uses a unique technique of projecting digital images onto photographs installed in real space.

These works are the Parallel Editions of Yosca Maeda’s special artworks, inspired by the artist's heartwarming memories.

These works are the Parallel Editions of Yosca Maeda’s special artworks, inspired by the artist's heartwarming memories.

These works are the Parallel Editions of Yosca Maeda’s special artworks, inspired by the artist's heartwarming memories.

These works are the Parallel Editions of Yosca Maeda’s special artworks, inspired by the artist's heartwarming memories.

"Flow Painting" created by ykxotks for "Patterns of Flow" exhibition.

"Sea of Code" created by Kazuhiro Tanimoto for "Patterns of Flow" exhibition.

"Path of Tones" created by Kaoru Tanaka for "Patterns of Flow" exhibition.

"Flows of Pattern" created by Shunsuke Takawo for "Patterns of Flow" exhibition.

"With you" created by Senbaku for "Patterns of Flow" exhibition.

"響く残響 / Resonant Echo" created by Okazz for "Patterns of Flow" exhibition.

"Nostalgia" created by Misaki Nakano for "Patterns of Flow" exhibition.

"変化・循環・その間の形 / Changes, Cycles, and Shapes in Between" created by mole^3 for "Patterns of Flow" exhibition.

"Synergistic Metropolis" created by Saeko Ehara for "Patterns of Flow" exhibition.

"Grey Path" created by Satoshi Aizawa for "Patterns of Flow" exhibition.

This is a collection of poems generated with js, under certain cut and paste instructions. (o^ ^o)/

OMG LOL Metaverse is an ode to the Web 1.0 days of neopets, net art, geocities.

'Oh Yes, Everything's Fine,' satires represent the online platform where raw content and genuine dialogue are systematically suppressed, while polished, fabricated narratives flood the digital sphere.

html + css + js, dimensions variable

In collaboration with Julia Seal, a movement artist, a choreography was crafted inspired by the RGB color theme.

This work is animated using only the marquee tag, which has been deprecated from the HTML standard for the Web. Therefore, the behavior is not guaranteed with browser types and version updates.

This work is a generative art created using only CSS styles and Div tags. The style and form are inspired on the web design style "Brutalist Website" and the architectural style "Brutalist Architecture".

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Inspired by the "Infinite Monkey Theorem," a thought experiment in which a monkey randomly typing on a keyboard could one day write the work of Shakespeare.
When you click the button on the page, the computer will continue to randomly generate letters until a connection to the word LOVE appears. It may be found immediately, or it may be hard to find. It is the same as finding love in your life.

Text Document out of Focus, 2008

"Painting Over" is a series of hand-drawn physical paintings by A-Mashiro, who has been showing his works mainly in digital format.

A dynamic coding works in which the hue changes cycled 365 days with a handmade physical digital frame.

A generative art made by multiple minters

This work is a collection of yokai summoned by viewers at NEORT++, the venue for Kazuki Takakura's solo exhibition, "AI Yokai Summoning Ritual".

MYTHIC FUTURE is a special collection of MUEO's solo exhibition at NEORT++.
Inspired by Greek mythology, his work touches on the metropolitan image of Tokyo, transforming it into more vibrant colors and dynamic patterns.

Gal Pals! is an exhibition that develops the unique worldview and aesthetics of Galverse created by the community. In this exhibition, the entire wall of NEORT++ gallery in Tokyo will be filled with many gals, and the exchanges and activities of gals from Japan and overseas will be recorded as a unique and immersive video experience along with the VTuber booth. This exhibition was created in a community-driven manner, using an invitation method similar to chain mail, which was popular on the Internet in the 90s.

"Reincarnation" is an installation and digital art / NFT generated by a 3D printer that sculpts artificial life.

HODL is a full on-chain NFT that grows with the duration of ownership, and its growth is reset when the money is transferred from the wallet.
This work expresses the subjective value felt by the owner, as opposed to the objective value determined by the market, through the experience of owning an NFT with time.

Advertise" is a project that uses a "signage system that allows you to advertise any URL you want without censorship". The wallet used to post the URL will be sent an NFT (Non-Financial Transaction Format) certificate of advertisement.

In order to post a URL, you must have paid at least "the amount paid for the last post" (+ gas fee). This amount will be reset at 0:00 JST. If there are multiple submissions in a short period of time, the URL with the highest amount paid will be displayed. Other URLs may not be displayed.
All proceeds will be returned to the gallery during the exhibition period.

Recycle Bin is conceptual art using NFT with the theme of rebirth. By sending unwanted NFT to the Recycle Bin address, the NFT will be Burned (discarded) and you will get the Recycle Bin's (trash bin) generative art NFT instead. New art will be generated based on the sent NFT. The pain of confronting the past and a prayer for rebirth are expressed.

Receipt is a conceptual art using NFT. The visual is determined by the amount you pay. You can pay any amount; you can mint (create) one token per price. All the code to draw is stored on the blockchain. The transaction itself is your participation in the art. The reality of the value of NFT is the exchange of data on the blockchain, which is used by many people who trust it. 0xhaiku believes that the memory of the act itself is the new value of art.

marquee shelter is a project to bury obsolete web technologies in the blockchain. The animation of the work is created using only the marquee tag, which has been deprecated from the HTML standard for creating websites. It has a life span that cannot be controlled, as it can stop moving with browser version upgrades. It is a life-like device on the blockchain, which is expected to be eternal, and evokes thoughts about technology and life.

Memory Disc" is the first work of media artist NIINOMI's "A SYSTEM" project, in which computer systems are used as art, and is modeled after a CD as a storage medium that records various attributes.

This is a video work using 3DCG that concerns the dialogues and recollections of people in a virtual world who engage in the act of VR sleep. \n The work is sold together with a projector, which allows the purchaser to freely install the work along with the leaking light.

This work examines how it is possible to document the time created by the artist’s encounter with Okabe-san, a patient with an intractable disease, in the new medium of VR. Unlike the editing in which a single moment of time flows on a rectangular screen, which is often assumed to be a prerequisite for video, this work attempts to deconstruct contemporary vision and sense of time corrected by various devices by arranging images and texts as objects with variable shapes, positions, rotation, scale, and other aspects.

"Thales’ Engraving" refers to a photograph or video of the starry sky that uses a special long-exposure method. Star trails appear in the dark night sky, sometimes with clouds or thunder, as well as airplanes or satellites. The camera is digitally controlled by a unique device and program, and it takes several tens of minutes to several hours to shoot. With this kind of function, you can get a variety of images that differ each time depending on location, time, weather, and so on.

In addition, average smartphones and compact digital cameras were used for shooting, and post-production editing, such as color correction, was limited to a minimum.

Generative art generated by the program based on traditional Chinese aesthetic impressions will be sold as NFT. 256 editions of artwork visuals will be generated the moment you purchase NFT and will be unique to you.

Slices" is a work about time and space, with 7 + 1 basic patterns and infinite variations.

Level: 0 as a species (or planet?) There are seven patterns, from Level: 0 as a seed (or planet?) to Level: 6, which gradually evolves into more complex shapes and blooms something like a flower, and Level: All, which is a combination of all of these patterns and is extremely horizontal, for a total of eight patterns.

Since all of these are generated generatively by the program, the variations are infinite, but finite variations are made possible by the NFT smart contract that generates the hash values from which the visual decisions are made.

Inspired by the exhibition space of NEORT++, this installation is intended to be viewed in a physical space and is generative art drawn from values generated on the blockchain.

A total of 240 editions newly produced by Takawo for the "TinySketches" exhibition will be sold as NFT. Mintable works will be updated weekly.

MOMENT is a cherry blossom-themed work consisting of 1,000 flowers and a cherry blossom tree that combines them. The flowers will be sold as NFT and the minted flowers will bloom on the cherry tree.